We were asked to produce a campaign for this film that included teaser creative leading onto in-cinema POS advertising.
The teaser creative was music festival focused, featuring fliers, posters and merchandise with a graphic and low-production screen-print style. 

The POS campaign moved the...

Keeping it graphic and humorous in tone, this had to look bright and appealing to a younger audience. The title as the buildings added meaning to the title itself.

We were asked to take the US artwork and give it more impact. We changed the colour palette and used a strong spot coloured graphic device to enhance the stand out. The graphic elements allowed us to deliver many different formats and kept the campaign consistent.

Wayne McGregor’s latest Random Dance offering used lighting as an integral part of the show so we created the branding with that in mind. We worked in collaboration with photographer Ravi Deepres to create an image that was arresting and beautiful.

Winner of Screen International Poster of the Year 2010

The brief was to depict a woman caught between two lives, one stale and suppressed, the other alive with passion. We created the passion aspect by using a special fleuro pink and highlighted Tilda Swinton at the heart of a stiff and staged...

Metrodome wanted the UK poster for Rabbit Hole to tonally feel in line with what had been done Internationally but they wanted an extra twist to the artwork.

The shattered effect through the poster resembles the cracks appearing in the couples relationship as they try to deal with their loss.

Oscar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl who turns out to be a vampire. We were asked to create a visual that was both eerie and haunting.

One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs. Every night, the same number of beasts. The two men conclude that there’s a connection to their Israeli Army mission in the first Lebanon War of the early eighties.

Dealing with a film that is about such an Iconic character meant that we needed to deliver something that would resinate with people from the offset. With its simple bold title treatment and use of colour this poster was instantly recognisable.

With a sense of voyeurism and intrigue, coupled with simple design and earthy colours, this was less about ‘over design’ and more about creating clear branding.
This went on to do so well we produced over 60 adverts, and bearing in mind this was a German film that was quite unique.

A woman struggles to interact with her family and find her place in society after spending fifteen years in prison. The brief was to create something bold and simple using a shot of KST, but also to introduce the other cast in a minimal way.

To kick the hornets nest means to kick up a storm or to shake things up so we felt that the visual language needed to look like a storm or swarm of dust and debris, but still using our original dragon motif as the basis. This is the teaser poster for the upcoming release.

For the German release of Carlos The Jackal. It had to symbolise the world of Carlos the Jackal, not focusing on the violence, but be both cool and accessible to a multi-plex and arthouse audience, male and female. It will have great reviews, should feature some strong quotes and incorporate the...

This had to be unique but retain its thriller essence. Based around the eye, which when peeled back showed layers of story we incorporated images of the gunman and the main character. Originally we used a very female eye, but it was simplified to just become a shape, which on studying should become...

Quite simply we wanted to show the cast overpowered by the mysterious, threatening figure of Paddy Considine, with the axe becoming their executioner. Influenced by 60’s horror posters, the moment Shane was shown the poster is featured on the DVD. Fortunately it went down very well.

In this romantic drama, we wanted to convey the situation (Pheonix) finds himself in, being torn between two women.

Following on from Kidulthood we wanted to create something that was in keeping with the previous film but taking it on a step. The film is set six years after the first and therefore an element of maturity was needed in the art direction and styling.

Our brief was to sell this 40 year old french new wave masterpiece to a new generation and the existing one. We were heavily influenced by the work of Blue Note records graphic designer Reid Miles who’s style shaped the face of jazz.

We wanted to show that the film was more than just a coming of age prison cell drama. Malik strides confidentally breaking outside of his cell window…is it a vision of what he once was? who he is? The image is gritty, simple and timeless.

PALME D’OR WINNER: FESTIVAL DE CANNES 2007 Drama about a woman who assists her friend to arrange an illegal abortion in 1980’s Romania.

BAFTA WINNER: BEST BRITISH FILM 2008. It’s 1983, and the schools are breaking up for summer. Shaun is 12 and a bit of a loner, growing up with his mum in a grim coastal town.